Lewis Bush

May 18, 2023

Once the Metropole or mother city at the heart of a vast global empire, London is now the dominion to a new world power. Subject to the flows of global finance and whims of markets, the city has become little more than an investment opportunity for multinational developers and overseas investors. Metropole records the brutally disorientating effects of this by documenting these legions of new corporate and residential blocks as they are constructed and occupied.

About the author

Lewis Bush
Photographer, educator and curator working across media and platforms to visualise the activities of powerful organisations, practices, and technologies. Since 2012 his practice has explored issues ranging from the aggressive redevelopment of London, to the systemic inequalities of the art world. Recent works include Shadows of the State, which examines the democratic deficit of intelligence gathering, and Wv.B which examines the dark histories of space exploration. He is currently working on a long-term project about computer vision which runs in parallel with an ESRC funded PhD at the London School of Economics. He is also course leader of the MA Photojournalism and Documentary Photography (online) course at London College of Communication.
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With Cinematic Decline — a continuation of Butler's 2019 series and book Odeon Relics — the author traces the remnants of what once were brand-new, purpose-built cinema venues, incongruous with their surroundings back then, and some of them are still so even now. The key point of difference here though, is that none of these buildings continue to screen films, instead they showcase the cinematic afterlife bingo, pubs, churches and dereliction.
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Metropole
Once the Metropole or mother city at the heart of a vast global empire, London is now the dominion to a new world power. Subject to the flows of global finance and whims of markets, the city has become little more than an investment opportunity for multinational developers and overseas investors. Metropole records the brutally disorientating effects of this by documenting these legions of new corporate and residential blocks as they are constructed and occupied.
Lewis Bush
Abstract
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The concept (and practice) of voluntary work brings out the best of people. Volunteers not only don’t get paid, they also give their time, passion and effort to a cause that they believe is worth fighting for. Johan Brooks presents us with the story of the Fire Corps — groups
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