Stories

Oleksandr Khomenko [https://www.facebook.com/oleksandr.khomenko] is a Kyiv-based photographer who shows life in Ukraine as it is in independent media like hromadske.ua [https://en.hromadske.ua/] and Ukrainer [https://ukrainer.net/en/]. For the second day, people with emergency bags and pets have been staying at the Kyiv subway stations. The entrance is free. Many people have found shelter at the ‘Politekhnichnyi Instytut’ metro station — the hall is full. They are sitting on their suitcases,

Floriana Avellino captures the joy of going on a holiday and its little, often unnoticed moments in her project The Wait. The body of work focuses in particular on the moments before departure, which are often ignored as the main part of the “real” holiday tends to be what interests most.

First children of war are born. Maternity hospitals are evacuated to the basements in Kyiv and suburbs because of Russian Attacks with bombs. Neonatologists, reanimations, baby care sp

Amy Romer uses photography to gain understanding of the place that she decided to make her home by choice rather than birth. 5 years ago she moved to Canada and for her project The Place Inside the Head of False Creek she gives us the story of Sen̓áḵw.

Back in September 2016, Aaron Chown set out to document the Jungle Camp in Calais where asylum seekers reside before attempting to enter the United Kingdom. The photographer highlighted the humanitarian migration crisis that engulfed the continent 5 years ago and decided it’s appropriate and important to remind us of the situation on the 5th anniversary of the demolition of the camp.

The body of work takes a closely intimate look at the contemporary drag scene in the United States. It’s a photographic examination that looks at the notions of identity and how we construct the self in a space different from society’s pre-established gender-specific roles and expectations.

Marko Risovic has turned his lens to his home country of Serbia to illustrate this trend. The images are strikingly different from what one would expect from a typical school photograph — it’s a decrepit environment and there are hardly any smiles. Far from the ideal happy atmosphere to foster happy childhoods and promote learning.

Zak Dimitrov turns to his home country of Bulgaria where obituaries are displayed everywhere — trees, houses, coffee shops, any random place one can imagine, but more often than not places that were once of significance for the deceased. The starting point for the photographer was the evidently blurred line between private and public. Grief is a very private experience, yet the families choose to display theirs out in the open.

Zak Dimitrov moved to London in 2015 and by 2018 he had been on over 100 dates. The man he was going out with at the time, Reggie, turned out to be, as cliche as it sounds, his photographic muse, partially caused by practicalities as he had very little spare time, all of which was spent with Reggie, and he had to take pictures for his final MA project.

Edwin Ndeke’s body of work focuses on Kibera — one of the largest urban settlements in the world which is situated on the periphery of Nairobi, Kenya’s capital with a population of approximately 2.5 million. Poverty, disease and crime are not uncommon when discussing Kenya and Africa in