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Brian O’Neill is an Illinois-based sociologist and photographer whose work looks
at the human condition and society’s relationship to nature. He investigates the
various meanings of “industry” and how it affects local communities and
environments. Beach Boulevard, his first photographic publication, is a small
spiral-bound book in a small edition of 100. Rather than probing the typical
documentary question “what’s going on here” it delves deeper and wonders how we
actually got to our current sta
The Body Keeps the Score takes its mysterious title from a book he found on his mother’s shelf when he was clearing out her house after her death. It refers to how trauma, something most would consider to have purely psychological consequences, can actually be internalised and transpire within the physical body rather than just the mind.
Back in September 2016, Aaron Chown set out to document the Jungle Camp in Calais where asylum seekers reside before attempting to enter the United Kingdom. The photographer highlighted the humanitarian migration crisis that engulfed the continent 5 years ago and decided it’s appropriate and important to remind us of the situation on the 5th anniversary of the demolition of the camp.
Three winters ago Anne Erhard’s father unexpectedly passed away on a journey far
away from home. A journey which, like all journeys, he was meant to return from.
His untimely death was distressing to his young daughter but at the same time it
reminded her how fragile human life is — we never know when or how we will meet
our demise. The only certainty is that eventually, we will.
> Death is a question of containment. For a long time, attempts at understanding
felt like trying to empty the ocean
Nieves Mingueza is a Spanish documentary photographer whose work bridges
the gap between the conceptual, personal and political. She often works as
a multimedia artist using images as well as text, collage, video and
installation. In her own words, Mingueza “explores and activates the
archives to address social and gender
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The project attempts to record the slow death of a culture — Pigeon racing as a typically British sport — that has changed beyond recognition since its inception. The photographs are extraordinarily rich and full of detail — the birds bind them together, they are the common denominator, but there is so much more in the images than just the pigeons. I
Once the Metropole or mother city at the heart of a vast global empire, London is now the dominion to a new world power. Subject to the flows of global finance and whims of markets, the city has become little more than an investment opportunity for multinational developers and overseas investors. Metropole records the brutally disorientating effects of this by documenting these legions of new corporate and residential blocks as they are constructed and occupied.