Stories

We are contacting photographers and authors who work in Ukraine to help spread their stories. Here's the first one. Please share and join us in supporting Ukrainians — the info is below. On the first day of the invasion, nobody was ready for HOW nightmarish it would be, nobody believed that this will end up with rocket strikes targeting civilian neighborhoods of Kiyv and other cities. So, it is where we are now. Evgeny Maloletka [https://www.evgenymaloletka.com/], a Ukrainian freelance photojo

Jim Mortram’s Small Town Inertia is an ongoing project which shines a light on the real life consequences the so-called “A-word” is continuing to have on communities, over a decade since its introduction. It wreaks havoc on the most vulnerable in our society and it targets those who can least afford basic necessities.

Nicola Lewis-Dixon is a multidisciplinary artist and photographer whose primary focus is the taboo subjects facing women in their everyday lives. She used the sofa in her family home as an anchor for what would eventually become her hugely prolific project The Corona Couch. When Dixon and her family found themselves locked in as millions of others around the world in March 2020 she thought that this would provide an opportunity like no other to explore family relationships and their intricacies.

The biggest sports event on the planet turns into a mixture of political and public health disputes, yet not covered enough by the established media

I worked with Mark for two years documenting his experience of homelessness, heroin addiction and recovery in south London

Amy Romer uses photography to gain understanding of the place that she decided to make her home by choice rather than birth. 5 years ago she moved to Canada and for her project The Place Inside the Head of False Creek she gives us the story of Sen̓áḵw.

The author opens up about his own struggles with Black Eyed Dog — A Photographic Healing Process. It was born out of a breakdown, a complete shutdown of his nervous system which made him find himself in a dark, gloomy place, one which he has never visited before.

Soul Calling is a collection of photographs taken between 2016 and 2019 along the coast of Northeast Japan.

A photographic exploration of family relationships and an inquiry into connection, history and the fragility of the tie between mother and daughter.

Wilfully ignoring the pleas of the local and national population, the Ilva plant, Europe’s largest steel plant, is portrayed as prioritising profit over people's lives.