May 18, 2023

Nicola Lewis-Dixon is a multidisciplinary artist and photographer whose primary focus is the taboo subjects facing women in their everyday lives. She used the sofa in her family home as an anchor for what would eventually become her hugely prolific project The Corona Couch. When Dixon and her family found themselves locked in as millions of others around the world in March 2020 she thought that this would provide an opportunity like no other to explore family relationships and their intricacies.

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Nicola Lewis-Dixon

Multidisciplinary artist based in Preston, who comes from a predominately photographic background and has just completed a photography MA at UCLan. Lewis-Dixon’s work is autobiographical and considers the social construct of women’s lived experience and shifting identity in today's society. Lewis-Dixon’s approach is research lead, highly expressive and conceptual in her visual output. Lewis-Dixon’s work explores and tests multiple methodological processes such as documentary, experimental, alternative darkroom processes, embroidery and most recently multi-sensory installations requiring video and soundscape. In her most recent work, Nicola takes us on her own healing journey, reclaiming her body following cervical cancer and hysterectomy. Both projects ‘Goosebumps’ and ‘Healing with Nature’ are ongoing as they are used therapeutically to rediscover her own broken alienated body and heal.

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mnngful curates and features outstading documentary projects by independent photograhers in our newsletter.

Chance Encounters in The Valley of Lights

Chance Encounters in the Valley of Lights tells the story of an unsolved extraterrestrial case from 1980s Todmorden, West Yorkshire. Photographer Rik Moran combines original imagery with never-before-seen archival material to investigate the possible alien abduction of PC Alan Godfrey. In illuminating one of small-town England’s most unlikely protagonists, Chance Encounters unearths another other-worldly mystery along the way.

Rik Moran

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Birdman

The project attempts to record the slow death of a culture — Pigeon racing as a typically British sport — that has changed beyond recognition since its inception. The photographs are extraordinarily rich and full of detail — the birds bind them together, they are the common denominator, but there is so much more in the images than just the pigeons. I

The project exposes the living conditions that Puerto Ricans have to endure such as natural catastrophes, limited government support and unstable electric service. Although the series began in 2013, it wasn’t until 2017 when Hurricane Maria hit Puerto Rico that Saldaña realised the series is something more than just a personal project — it is a testament of the residence of the local population.

The Corona Couch

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