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Visual artist with interest in issues related to the current consumer society and globalization. His aim being reflecting how these two concepts alter his closest reality, understanding globalization as the loss of the individual’s identity, in favor of a model that responds to criteria closely linked to the control of power and banality. To date, his work specializes in delving into the reality of different human groups that are created around a common cause that identifies them as such. A vision characterized by photographing human collectives that have shared common experiences that, in some way, serve to build, mark and also define the individual identity of its members.
Artist, based in London. Her conceptually driven and intimate practice often interweaves images with research, documentary photography, archival material, collage, text, film, and installation. Bridging the space between the personal and political, she explores and activates the archives to address social and gender issues. In 2019 her first monograph book was published by IIKKI books editorial. Her work has been exhibited widely including installations at Royal Academy of Arts, Saatchi Gallery, Copeland Gallery, Tate Britain (UK), Fondazione Giorgio Cini (IT) and PhotoEspana (SP), among others. Mingueza’s work has been reviewed by multiple magazines as Der greif, Lenscratch, Blind, L’oeil de la Photographie, Metal, All About Photo, Analog, Yogurt, fisheye, Witty and Lensculture, among others.