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Constructed Landscapes
Dafna Talmor’s Constructed Landscapes are the end result of many years of frustration caused by her own photographs. The images are taken in different countries, among which are Israel, Venezuela, the UK and the United States, but their initial purpose was nothing more than personal keepsakes. As Talmor accumulated a large archive, she became increasingly conscious that the photographs don’t show much about the places that they depict and they are just that — pictures of places she once visited. She decided to use them as her source material instead of photographs in their own right in order to create something new and this is how her ongoing series was born.
Chance Encounters in The Valley of Lights
Chance Encounters in the Valley of Lights tells the story of an unsolved extraterrestrial case from 1980s Todmorden, West Yorkshire. Photographer Rik Moran combines original imagery with never-before-seen archival material to investigate the possible alien abduction of PC Alan Godfrey. In illuminating one of small-town England’s most unlikely protagonists, Chance Encounters unearths another other-worldly mystery along the way.
St Paul's Cathedral — The Central Spot Of All The World
Architecture with religious purposes has quite different functions from
residential or commercial. While the latter is mainly functional and
economic, the former intends to be grandiose. It’s very much part of its
design to make humans feel small, minute and God, or whoever the deity is,
appear grand, larger
"The situation is fucked up, but people are fucking great!"
Kharkiv, Ukraine on the first day of Russian invasion
Cinematic Decline
With Cinematic Decline — a continuation of Butler's 2019 series and book Odeon Relics — the author traces the remnants of what once were brand-new, purpose-built cinema venues, incongruous with their surroundings back then, and some of them are still so even now. The key point of difference here though, is that none of these buildings continue to screen films, instead they showcase the cinematic afterlife bingo, pubs, churches and dereliction.
Someone's Rubbish
The project is a case study of what we value, as a society but also as individuals, and draws a comparison between what we once felt useful to buy or take as it served a purpose but it no longer does.
Balaganza
A spotlight on the drag queens in the only gay bar in Lithuania. Forcedly hidden from the public eye in the post-Soviet country, these performances seem too deliberately shocking for the part of the society.
Azerbajiani Stories
In Azerbaijani Stories the photographer Onur Tatar had created what he
calls composite portraits. These are the stories of ten people from
Azerbaijan combined with their portraits and images of places of
significance. As Tatar says, topography, or the arrangement of both natural
and artificial physical features of an area,
The Image of a Place
Three winters ago Anne Erhard’s father unexpectedly passed away on a journey far
away from home. A journey which, like all journeys, he was meant to return from.
His untimely death was distressing to his young daughter but at the same time it
reminded her how fragile human life is — we never know when or how we will meet
our demise. The only certainty is that eventually, we will.
> Death is a question of containment. For a long time, attempts at understanding
felt like trying to empty the ocean
Holidays — The Wait
Floriana Avellino captures the joy of going on a holiday and its little, often unnoticed moments in her project The Wait. The body of work focuses in particular on the moments before departure, which are often ignored as the main part of the “real” holiday tends to be what interests most.
