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The Image of a Place
Three winters ago Anne Erhard’s father unexpectedly passed away on a journey far
away from home. A journey which, like all journeys, he was meant to return from.
His untimely death was distressing to his young daughter but at the same time it
reminded her how fragile human life is — we never know when or how we will meet
our demise. The only certainty is that eventually, we will.
> Death is a question of containment. For a long time, attempts at understanding
felt like trying to empty the ocean
Branches of a Tree in Winter
Zak Dimitrov moved to London in 2015 and by 2018 he had been on over 100 dates. The man he was going out with at the time, Reggie, turned out to be, as cliche as it sounds, his photographic muse, partially caused by practicalities as he had very little spare time, all of which was spent with Reggie, and he had to take pictures for his final MA project.
Cinematic Decline
With Cinematic Decline — a continuation of Butler's 2019 series and book Odeon Relics — the author traces the remnants of what once were brand-new, purpose-built cinema venues, incongruous with their surroundings back then, and some of them are still so even now. The key point of difference here though, is that none of these buildings continue to screen films, instead they showcase the cinematic afterlife bingo, pubs, churches and dereliction.
Someone's Rubbish
The project is a case study of what we value, as a society but also as individuals, and draws a comparison between what we once felt useful to buy or take as it served a purpose but it no longer does.
Kibera
Edwin Ndeke’s body of work focuses on Kibera — one of the largest urban
settlements in the world which is situated on the periphery of Nairobi,
Kenya’s capital with a population of approximately 2.5 million. Poverty,
disease and crime are not uncommon when discussing Kenya and Africa in
I want it all to go back to the way it was before
Pippa Healy is a photographer, artist and printmaker based in London. Her
raw, diaristic practice responds to events that have occurred in her life,
therefore it has a unique sense of authenticity. Healy’s work references
loss, grief, longing and violence and it’s rather difficult to pigeonhole
as every
Azerbajiani Stories
In Azerbaijani Stories the photographer Onur Tatar had created what he
calls composite portraits. These are the stories of ten people from
Azerbaijan combined with their portraits and images of places of
significance. As Tatar says, topography, or the arrangement of both natural
and artificial physical features of an area,
A Rural Lifeline
Joanne Coates is a photographic storyteller from a working-class background.
Based between Yorkshire and Scotland, she depicts everyday stories with a
documentary approach. Apart from this, Coates has also done work in the
commercial sector with clients including the BBC, Vice, Financial Times, The
Guardian, and more.
Coronavirus: A Rural Lifeline in North Yorkshire shows how rural communities,
away from the hub of the big city, managed to cope with isolation when social
distancing became the n
Smoking Chefs
Jan Enkelmann lives and works in London where he spends his time observing
people. Many would think that photographers, especially street
photographers, go to the street, take countless images and that’s it, job
done. I would argue that it takes much more than that — many image-makers
would spend more
Hasankeyf
Hasankeyf is an ancient town in Southeastern Turkey, located along the Tigris
river in the Batman province. It was established in the 18th century BC and in
1981, almost 3600 years later, it was declared a natural conservation area by
Turkey. In spite of this, it’s been regularly flooded as part of a dam-building
project, regardless of the concerns raised by the local population and the
international community.
Hussain Ali is a British-Iraqi documentary photographer who is interested in
capturi