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"The situation is fucked up, but people are fucking great!"
Kharkiv, Ukraine on the first day of Russian invasion
After The Fall
After the Fall is a body of work by Stewart Weir documenting the fall of
the Taliban when the city of Herat was taken over by the Northern Alliance.
The images were taken almost 20 years ago, in 2002, shortly after the Twin
Towers in the US fell on September
Southtown
Tommy Lee Grimmer is a young photographer based in Great Yarmouth, East England,
which is, in fact, the part of the country which is the furthest East. His
project Southtown explores his hometown, the area where he grew up, its physical
environment and community as well as the change of his perspective from a child
to now an adult.
© Tommy Lee Grimmer | SouthtownThe text accompanying Southtown is nostalgic and
evocative of innocent childhood — Kickpost, a game similar to hide and seek,
late ni
Merlion Memories
Darren O’Brien’s project takes this fragile idea of the nature of memory as its starting point. He accompanied his partner on her return to Singapore, where she spent six years as a child, eighteen years later.
Metropole
Once the Metropole or mother city at the heart of a vast global empire, London is now the dominion to a new world power. Subject to the flows of global finance and whims of markets, the city has become little more than an investment opportunity for multinational developers and overseas investors. Metropole records the brutally disorientating effects of this by documenting these legions of new corporate and residential blocks as they are constructed and occupied.
One Hundred Yards From Home
A photographic exploration of family relationships and an inquiry into connection, history and the fragility of the tie between mother and daughter.
Fire Corps
The concept (and practice) of voluntary work brings out the best of people.
Volunteers not only don’t get paid, they also give their time, passion and
effort to a cause that they believe is worth fighting for. Johan Brooks
presents us with the story of the Fire Corps — groups
The Corona Couch
Nicola Lewis-Dixon is a multidisciplinary artist and photographer whose primary focus is the taboo subjects facing women in their everyday lives. She used the sofa in her family home as an anchor for what would eventually become her hugely prolific project The Corona Couch. When Dixon and her family found themselves locked in as millions of others around the world in March 2020 she thought that this would provide an opportunity like no other to explore family relationships and their intricacies.
A frightening lull in anticipation of the unknown
Imagine being there, in full absence of clarity what's going to happen next
minute, hour and day. Is there a future? If so, how does it look? The whole
world can not answer this question facing a tyrannous psycho, a hostage of his
own crimes on a global scale, entangled in his own lies. All we admire, adore and pray for the Ukrainian people whose will for freedom is
the most inspiring thing these days.
In-A-Gadda-Da-England
National oddities and peculiarities were the starting point for Edward Thompson’s project In-A-Gadda-Da-England. Born and bred in the U.K., he offers his viewers the perspective of an insider who had spend his whole life surrounded by British culture
