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Charcoal of Cyprus
Tradition and family-run work of charcoal miners in Cyprus. We are very likely looking at the craft that is to become a thing of the past very soon.
Antiques of the Future
The body of work investigates the relationship between collectors and their possessions; exploring how ordinary, commonplace objects become extraordinary through the often-obsessive act of collecting.
Submerged Landscapes
According to the Climate Central app, Thanet, the UK is likely to become an island again within the next decade. In this ongoing project, King documented the affected areas before they are submerged, using the materiality of the sea within the production of the work.
Butterflies and Caterpillars
The body of work takes a closely intimate look at the contemporary drag scene in the United States. It’s a photographic examination that looks at the notions of identity and how we construct the self in a space different from society’s pre-established gender-specific roles and expectations.
Beyond the sea
Great Britain, being an island, is surrounded by water. The outlier of
Europe, the Brits have always had a thing for their coastal towns.
Bournemouth, Brighton, the Kent coastline, are the ones that come to mind
first. The sea is hugely important for many industries — tourism, fishing,
transport. Often mocked
100 days before conscription
Young Cypriots at months before unavoidable military service. Do they come to celebrate the upcoming life milestone or to protest against forced consription?
Case 3181
Nieves Mingueza is a Spanish documentary photographer whose work bridges
the gap between the conceptual, personal and political. She often works as
a multimedia artist using images as well as text, collage, video and
installation. In her own words, Mingueza “explores and activates the
archives to address social and gender
I want it all to go back to the way it was before
Pippa Healy is a photographer, artist and printmaker based in London. Her
raw, diaristic practice responds to events that have occurred in her life,
therefore it has a unique sense of authenticity. Healy’s work references
loss, grief, longing and violence and it’s rather difficult to pigeonhole
as every
In-A-Gadda-Da-England
National oddities and peculiarities were the starting point for Edward Thompson’s project In-A-Gadda-Da-England. Born and bred in the U.K., he offers his viewers the perspective of an insider who had spend his whole life surrounded by British culture
The Image of a Place
Three winters ago Anne Erhard’s father unexpectedly passed away on a journey far
away from home. A journey which, like all journeys, he was meant to return from.
His untimely death was distressing to his young daughter but at the same time it
reminded her how fragile human life is — we never know when or how we will meet
our demise. The only certainty is that eventually, we will.
> Death is a question of containment. For a long time, attempts at understanding
felt like trying to empty the ocean