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"The situation is fucked up, but people are fucking great!"
Kharkiv, Ukraine on the first day of Russian invasion
On the first day of the Russian invasion
We are contacting photographers and authors who work in Ukraine to help spread
their stories. Here's the first one. Please share and join us in supporting
Ukrainians — the info is below.
On the first day of the invasion, nobody was ready for HOW nightmarish it would
be, nobody believed that this will end up with rocket strikes targeting civilian
neighborhoods of Kiyv and other cities. So, it is where we are now.
Evgeny Maloletka [https://www.evgenymaloletka.com/], a Ukrainian freelance
photojo
Submerged Landscapes
According to the Climate Central app, Thanet, the UK is likely to become an island again within the next decade. In this ongoing project, King documented the affected areas before they are submerged, using the materiality of the sea within the production of the work.
100 days before conscription
Young Cypriots at months before unavoidable military service. Do they come to celebrate the upcoming life milestone or to protest against forced consription?
Face Death
Zak Dimitrov turns to his home country of Bulgaria where obituaries are displayed everywhere — trees, houses, coffee shops, any random place one can imagine, but more often than not places that were once of significance for the deceased. The starting point for the photographer was the evidently blurred line between private and public. Grief is a very private experience, yet the families choose to display theirs out in the open.
London '82
Sunil Gupta enrolled at the prestigious Royal College of Art in London in
the early 1980s. Having access to colour negative printing at the college,
the young photographer began to roam the streets of the Big Smoke searching
for the epicentres of queer life — Earl’s Court, King’s Road,
The Steel Plant Mothers
Wilfully ignoring the pleas of the local and national population, the Ilva plant, Europe’s largest steel plant, is portrayed as prioritising profit over people's lives.
A Rural Lifeline
Joanne Coates is a photographic storyteller from a working-class background.
Based between Yorkshire and Scotland, she depicts everyday stories with a
documentary approach. Apart from this, Coates has also done work in the
commercial sector with clients including the BBC, Vice, Financial Times, The
Guardian, and more.
Coronavirus: A Rural Lifeline in North Yorkshire shows how rural communities,
away from the hub of the big city, managed to cope with isolation when social
distancing became the n
Mark
I worked with Mark for two years documenting his experience of homelessness, heroin addiction and recovery in south London
Presence in the Absence
The story takes desolated buildings and structures as its starting point. Devoid of human presence, albeit designed and constructed by humans, these are places that were once the product of a utopian vision.