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"The situation is fucked up, but people are fucking great!"
Kharkiv, Ukraine on the first day of Russian invasion
Face Death
Zak Dimitrov turns to his home country of Bulgaria where obituaries are displayed everywhere — trees, houses, coffee shops, any random place one can imagine, but more often than not places that were once of significance for the deceased. The starting point for the photographer was the evidently blurred line between private and public. Grief is a very private experience, yet the families choose to display theirs out in the open.
After The Fall
After the Fall is a body of work by Stewart Weir documenting the fall of
the Taliban when the city of Herat was taken over by the Northern Alliance.
The images were taken almost 20 years ago, in 2002, shortly after the Twin
Towers in the US fell on September
Missed Care
The referendum on the UK’s membership of the EU was one of the most divisive
moments in modern history — back in 2016 and ever since then, the country felt
more polarised than ever before with a clearly growing sense of “us” and “them”.
People were either unable to or would refuse to see some of the good points that
the other side was making. The Remain side was branded “Project Fear” as they
were providing predictions of what would happen. Some of these didn’t happen,
but others, unfortunately,
Calais Migrant Camp ‘The Jungle’
Back in September 2016, Aaron Chown set out to document the Jungle Camp in Calais where asylum seekers reside before attempting to enter the United Kingdom. The photographer highlighted the humanitarian migration crisis that engulfed the continent 5 years ago and decided it’s appropriate and important to remind us of the situation on the 5th anniversary of the demolition of the camp.
Last day of school
Marko Risovic has turned his lens to his home country of Serbia to illustrate this trend. The images are strikingly different from what one would expect from a typical school photograph — it’s a decrepit environment and there are hardly any smiles. Far from the ideal happy atmosphere to foster happy childhoods and promote learning.
The Corona Couch
Nicola Lewis-Dixon is a multidisciplinary artist and photographer whose primary focus is the taboo subjects facing women in their everyday lives. She used the sofa in her family home as an anchor for what would eventually become her hugely prolific project The Corona Couch. When Dixon and her family found themselves locked in as millions of others around the world in March 2020 she thought that this would provide an opportunity like no other to explore family relationships and their intricacies.
One Hundred Yards From Home
A photographic exploration of family relationships and an inquiry into connection, history and the fragility of the tie between mother and daughter.
Beyond the sea
Great Britain, being an island, is surrounded by water. The outlier of
Europe, the Brits have always had a thing for their coastal towns.
Bournemouth, Brighton, the Kent coastline, are the ones that come to mind
first. The sea is hugely important for many industries — tourism, fishing,
transport. Often mocked
Tea Women
Tea is one of the major discoveries from the East which completely transformed Western economies a few centuries ago. Unfortunately, as with many industries producing goods, we enjoy and can barely live without, exploitation is rife.
